Contributors for the NUS Arts Survey: Denise Chen, Hurrairah bin Sohail, Lee Meixian, Lee Wanyu, Leong Su Zhen, Sanah Akhtar, Shahirah Bte Mohamed Ansari, Siti Nor Farah,Sowmya Gopi, Tarani Palani, Wong Pei Yee
Editor of the NUS Arts Survey: Wong Pei Yee
the ridge transmedia
A NUSSU Publication
With the conclusion of the NUS Arts Festival 2008 (NAF) which married the disciplines of medicine and the arts last month, the ridge transmedia takes a closer look at what has been offered to measure the arts health of NUS this academic year. Surveying the various facets of the arts from dance to drama, we do a temperature check to find out if things are pitch perfect.
Centre for the Arts
Centre for the Arts (CFA) is the biggest arts provider here on campus. The recent NUS Arts Festival, an annual arts extravaganza, is one such example. The objectives of the festival are two-fold. Firstly, to provide the 22 student groups consisting of over 1800 students under the management of CFA a platform to perform and showcase, as well as to measure themselves against real, industry standards. Secondly, to promote the arts within the student body.
NAF 2008 was considered an exceptional success with 30 ticketed performances. 12 were sold-out performances and six performances approached fullhouse capacity (>70%). Publicity for the month-long event began as early as December with NAF 2008 posters outside the University Cultural Centre and plastered on shuttle buses. In all, CFA spent around $70,000 on publicity for NAF 2008.
A significant arm of CFA is the ExxonMobil Campus Concerts (EMCC) Crew. Established in 1984, the EMCC Crew has 75-80 student members who receive training from professionals and hands-on experience in front-of-house management and technical backstage training. The perfect starting point for the novice performer, EMCC hosts seven to eight shows a month per academic year that ranges from rock festivals to poetry recitals. EMCC’s presence reflects a holistic commitment to the campus community, all within arm’s reach.
Barometer: 9.5 out of 10 stars
Music
From classical to rock, the music scene in NUS is multi-faceted and multitudinous. From RadioPulze’s Live Lounge Series to NUS RockFest to classical concerts by the NUS Symphony Orchestra (NUSSO) and Yong Siew Toh Conservatory of Music, there is much to be heard. Going by gig figures alone, the music scene as an entirety is indeed thriving. However, how much of it is quality? Taking two ends of the musical spectrum, we compare NUSSO, NUS Jazz Band and NUS rock bands.
NUSSO held three concerts this academic year, one of which was a sold-out performance at NAF 2008. Held in the Conservatory Music Hall, Chan Kai Qin, NUSSO Vice President felt that there was good audience response but was wary of claiming that it correlates with the level of interest in classical music on campus.
NUSSO
Picture Credit: NUSSO
Similarly, the NUS Jazz Band held two concerts this year not including external gigs. The band president, Tan Eng Kwang says that with careful arrangement and choreography, audiences will find performances more appealing. However, Eng Kwang pointed out the surprising fact that audiences who are new to jazz seem to be under the impression that jazz is ‘high-end music’, due to limited exposure it has in the music scene in Singapore.
|
NUSSO
Picture Credit: NUSSO
|
Both Kai Qin and Eng Kwang believe that an appreciation for the arts has already been nurtured in Singapore as students are regularly exposed to such events. However, the attitude and level of activity of students differ generally. With the help of CFA, who has been actively marketing the brand of “NUS art”, they believe that the arts scene in NUS will most definitely grow holistically.
On the other hand, NUS rock bands who are considered the mainstream contenders here are heard at earsplitting volumes at almost every other bazaar held in the Central Forum and yield little applause. Quantity, little quality. What gives? We are inclined to feel that there is quantity, but quality is not quite there. |
Barometer: 5.5 out of 10
Drama
Drama on campus (the staged kind), is far from dead. With a little digging, the ridge uncovers the following NUS based drama groups you may or may not have heard of including the better known Thespis, the newly-formed NUS Stage, the CFA-affiliated Chinese Drama and Malay-English varsity theatre group DOWNSTAGELEFT.
Students on campus are definitely spoilt for choice when it comes to theatre productions on campus, with groups operating on different languages and varying interests.While most of these groups are not very visible on the radar of student activities, theatre practitioners we spoke to are confident that the arts scene in NUS is thriving. Just how is this so? We interview members of Thespis and DOWNSTAGELEFT to get an inside look at drama in NUS as well their take on the campus arts scene.While the two groups interviewed do bear certain similarities, each bring to the theatre scene their own distinct character.
Describing themselves as simply people who want to “have excessive amounts of fun”, DOWNSTAGELEFT says “we wanted … [to] create an alternative form of theatre movement. We lack the hierarchy and the basic misconceptions that come with the pretensions that are commonly associated with theatre”.
DOWNSTAGELEFT, melayu.com.sg
Picture Credit: Flickr.com
Ideally, while exploring the boundaries of anything is usually good, there remains the need to hone good theatre practices. In this case, the Theatre Studies Department affiliated Thespis is no less ambitious. Jean Zhuang (Year 4, FASS) their President says that, “We focus mainly on giving budding theatre enthusiasts an avenue to showcase their talents while…honing their existing skills and acquiring more theoretical and practical skills.”
NUS Thespis
Picture Credit: Thespis
While the two groups are seemingly incongruous, it might surprise you to know that they do share several similarities.
Combining staged productions with hands-on workshops appears to be a strategic move for both groups to straddle two main agendas: expressing their creative voice while raising awareness of the theatre and what it has to offer. Definitely not an issue foreign to the realm of theatre. However, truly encouraging is the response both groups report to their various activities, whether productions, workshops or cast and crew calls.
Jocelyn Chng (Year 4, FASS) of Thespis relates, “as for workshops, we were surprised to have a healthy attendance despite minimal publicity. So yes, it has been very encouraging.” DOWNSTAGELEFT as well indicates a resounding “Superb” when queried about the reception to their cast and crew calls.
Additionally, both groups have a healthy and promising relationship with acclaimed stage practitioners and noted individuals from the local drama scene. Thespis enjoys a significant level of exposure to members of the local theatre community such as Haresh Sharma, very likely as a result of its association to the Theatre Studies department.
DOWNSTAGELEFT shares a similar synergy with the local Malay theatre community. In their own words: “We have strong support from the local Malay theatre companies and artists…we have collaborated with noted individuals in the industry, Alfian Sa’at and Rafaat Hamzah.” Local theatre company Teater Ekamatra also extends significant support to the group by allowing them use of their Black Box at Telok Ayer Performing Arts Centre.
DOWNSTAGELEFT
Picture Credit: Flickr.com
Nevertheless, despite the warm reception to their productions so far, both groups share similar financial difficulties. DOWNSTAGELEFT admits that “We have not been given the support in the form of financial or otherwise.” Likewise, Jocelyn also says, “As an interest group, rather than an official society, Thespis faces several challenges at the very basic level of trying to stage productions - including the difficulty in accumulating funds and inability to properly reward members’ efforts.”
And what about going official then? This remains one of the best ways to deal with monetary woes as both groups do not currently fall under either of official umbrellas of NUSSU or CFA.
On one end, DOWNSTAGELEFT is hesitant to join with CFA. This, they say, is partly “due to our vision not to restrict our creative ingenuity to individuals within the NUS varsity only.” True to their non-conformist approach, the group consists of members ranging from the other tertiary institutions such as SMU and the like. However, they are quick to add that “[this] is not to say that we are opposed to being under their [CFA’s] flagship.”
On the other end, Thespis, is currently negotiating with NUSSU to register as an official society. Jocelyn is upbeat that official status will hopefully change things. “It is our hope that as an official society, funding will be less of a problem. Additionally, it will likely be easier to raise general awareness of the group and its activities.”
NUS Thespis, Walking into Doors
Picture Credit: Thespis
Raising children, as they say, is always expensive business. For these theatre groups, it is evident that financing their productions has always been an issue, official status or not. Says Jocelyn, “it is no secret that theatre can be an extremely expensive undertaking, that, naturally, some see as unjustified.”
Perhaps, what interested readers might want to know most is what our own theatre practitioners think about the Arts Scene itself. Effusing a positive tone, Thespis exudes the confidence of a group that is recognized for their talent (and perhaps being affiliated to the Theatre Studies department allows for an additional level of security).
When asked whether there exists an arts scene on campus, Jean confidently replies, “Definitely”. Citing the recent NUS Arts Fest as example, Jean says that successful advertising efforts by the CFA as well as numerous theatre groups and hall productions attest to the strength of the arts scene here.
On the other hand though, DOWNSTAGELEFT is less optimistic in their reply. Admitting that there is an arts scene on campus, they nevertheless believe this to be “extremely limited” and that while “the scene is not weak [it is] not holistic enough.”
Indeed, the writers are more inclined to agree with DOWNSTAGELEFT. Though the arts scene is growing, much of the theatre scene is still dominated by the ubiquitous hall play, which has received at best only mixed reviews. Quantity above quality seems a likely issue facing the arts scene on campus faces.
We suspect that theatre’s reputation of being avant-garde and impractical has definitely had a hand in shaping student response. “This is likely”, says Jocelyn, “not only because the general population may see theatre as irrelevant to their lives and/or too avant-garde, but these assumptions are exacerbated by the relatively high ticket prices on average.”
Certainly, the audience base remains unsurprisingly dominated by students from the Arts Faculty. Says Jocelyn, “the audiences tend to consist of friends and family of the production members, NUS students, and lecturers from the Department of English Language and Literature.” Likewise, for DOWNSTAGLEFT, audience means an “eclectic mix of theatre enthusiasts, students and the general public”, which we suspect boils down to a similar crowd.
Indeed, when queried about what they would like to do for the Arts Scene on campus, both groups came up with answers that while different, were all the same heartening to hear. Says Anjana (Year 3, FASS) , “We want to be seen as a platform for budding talents to learn, experiment, grow and develop their skills.” DOWNSTAGELEFT’s reply while not completely dissimilar, adds that the theatre scene “should be engaging. It should be relevant. But most of all it must be fun.” Quoting Kuo Pao Kun, Jocelyn says, “Play’s chief function is not to produce goods but extend the inner and outer reaches of the human consciousness . . . there is everything to gain and nothing to lose in promoting a culture of inquiry and debate, of experimentation and creativity.”
Likewise, our sentiments exactly. Viva le théâtre!
Barometer: 6.5 out 10 stars
Dance
Do NUS dance troupes view themselves as just one of the many performing groups in NUS, or do they aim to be more than that? Are NUS students really interested in dance or do they merely attend performances to support their friends? Are classical forms of dance slowly evolving, to be replaced by Western and fusion dances? We speak to the Presidents of six different dance groups in NUS to find out.
Presidents of dance groups NUS Dance Synergy, NUS Dance Ensemble and NUS Dance Blast! agreed that while they view their groups as members of the NUS Centre for the Arts (CFA), there is definitely potential to turn professional, through external performances and exposure to noted choreographers and instructors. It certainly helps that some groups already employ external professionals like Mrs Santha Bhaskar, a Cultural Medallion winner from Nrityalaya Aesthetics Society, who teaches Bharathanatyam to NUS Indian Dance.
President of NUS Dance Ensemble Koustav Basu Mallick, a Year 2 student of FASS, said, “Under the direction of our Resident Choreographer Zaini Mohd Tahir, we have over the years produced quality performances that have attracted audiences beyond the NUS student body. We have performed overseas in Cambodia and Indonesia and definitely produce work of a credible standard, while continuing to grow humbly under the guidance of CFA.” President of NUS Dance Blast! Huang Yingying, a Year 2 Engineering student agreed. “We are becoming more well-known by the public through participating in various national dance competitions, organising our own concerts and performing for external organisations.” Neo Shi Qin of NUS Dance Synergy, a Year 2 Economics major, added that the dancers’ attitude and maturity play a part in whether the group could go beyond the platform of the university.
|
NUS Dance Ensemble
Picture Credit: NUS Centre for the Arts (CFA)
|
As to whether the dance scene in NUS is flourishing, Koustav, Shi Qin and Tay Hwee Hsi, an Accountancy major in her 2nd year and President of NUS Chinese Dance, agreed that it is improving, with greater audience appreciation and increased funding from CFA. President of NUS Ilsa Tari, Irdawati bte Roslan, who is in her 2nd year in FASS, credited CFA for increasing the recognition of dance groups among the NUS student body, for example through the recent NUS Arts Fest Bazaar held at the Forum. Yingying disagreed and felt that NUS students are either too busy or disinterested in performing arts. Similarly, Sukriti Malpani, Vice-President of NUS Indian Dance and a year 3 Science student, felt that more could be done to enable the various dance groups to gain exposure to equal the exposure received by sports CCAs in NUS. |
All Presidents admitted that the audiences who attend their performances are mainly made up of friends or family of the performers, although genuine interest is developed when they are exposed to the high quality of dance exhibited. However, it was noted that the respective ticketed performances of these dance groups were almost sold out, and even their Courtyard performances drew good crowds. Irdawati quipped that if there were students who were truly interested in dance for its sake, they would be the ones performing on stage, and not the ones watching from afar. Shi Qin added that Dance Synergy views it as a challenge to constantly try to make their work relevant to their audience.
NUS Dance Synergy
Picture Credit: Marcus Tan
As to whether classical forms of dance, like Bharathanatyam and Inang, are inexorably evolving, Irdawati of Ilsa Tari and Sukriti of Indian Dance had similar views. While both agreed that fusions with modern and Western dance added spice to choreography and allowed more room for experimentation and expression of individuality, classical dance will continue to play an important role in society. “Classical dance forms will never completely fade away as they are part of the foundation of a country’s culture and heritage”, said Sukriti. Irdawati had a suggestion for dancers of today – “traditional dance should be valued and contemporary should be explored.”
NUS Indian Dance
Picture Credit: NUS Indian Dance
From this quick survey of the NUS dance scene, it is safe to say that there is hope for the groups in broadening their experience and eventually turning professional. Their passion for their respective dance groups was evident from their interview responses. So dance enthusiasts should take heart that there are aspiring professional dance groups amongst us. Notwithstanding, more has to be done to create or increase awareness of these dance groups through more rigorous advertising on campus media.
Barometer: 6.5 out of 10 stars
Film Screenings
In the words of famous film critic, Roger Ebert: “Every great film should seem new everytime you see it.” Certainly, films are a readily accessible art form. The world of cinema is greatly expanding bringing films which caters to people with an interest in the mainstream as well as independent films. Inevitably, films serve to entertain and to provide an avenue for viewers to experience a different realm of life through its fictious nature. Christine Khor of Centre for the Arts (CFA), a former film critic herself, expressed how films enable viewers to sit back and absorb the narrative involved.
In NUS, CFA and nuSTUDIOS are the main provider of art films. Over the years, they have made avant-garde films more available for the people. Thus far, these films have succesfully met with an overwhelming turn-outs.
nuSTUDIOS is a student-run production house which aims is to promote the culture of film appreciation and film-making within the NUS community. They have been organizing film-related activities in NUS such as film screenings and basic filmmaking workshops. Most importantly, they have breed aspiring and talented filmmakers. Judging from their recent and past film screenings, it is a notable achievement for them.
NUS Indian Dance
Picture Credit: nuSTUDIOS
At last month’s NUS Arts Festival, nuSTUDIOS showcased a selection of short films produced and written by its members that adhered to the festival’s medical theme. According to Alvin Lim, Vice-President (Programme) of the student-run production house, the screening saw more than a hundred people in attendance, including guest-of-honour Professor Tan Chorh Chuan, senior deputy president of NUS. Audience were particularly impressed by one of the short films, a documentary called “In Our Own Words” which highlighted another angle to the lives of kidney patients. Audience were also very engaging during the panel discussion which follows after the film screenings and their ability to critic and appreciate showed their knowledge on films.
Besides nuSTUDIOS, CFA has been showcasing a variety of films every year during the NUS Arts Festival. This year, they have sought assistance from the Embassy Support of Mexico, Israel, Spain and Holland to recommend films that are contemporary and relevant to the youth. The diverse choice of films has definitely draw in more response from the NUS population. Attendance during film screenings has been consistent during recent years for both CFA and nuSTUDIOS and this explained their greater interest and appreciation to such films.
“We are steadily seeing an increase in the number of people coming for our screenings. Our previous screenings, Fetish 2006 and Joy Ride 2007, were both held at UCC Green Room and were full houses,” said Lim.
The screenings provide the students an opportunity to delve into more unconventional films which encompasses creative vision and liberal topics. Carissa Chui, a Year 2 Psychology major mentioned how she is drawn to these film screenings because it allows her to watch films she has never heard before.
NUS Indian Dance
Picture Credit: nuSTUDIOS
Besides the mainstream Hollywood fare, it is therefore apparent that the NUS population are beginning to pursue more avant garde films. Film appreciation is flourishing and it will continue with its consistent form as long as exposure on film-related activities are prevalent here in NUS.
While this is a heartening news, Alvin Lim believed that there’s still a lot more that can be done. There is indeed a lack of exposure in film production here in NUS due to limited resources. He hopes that they can bridge the gap between production and film appreciation to truly value the whole aspect of film art.
Barometer: 7.5 out of 10 stars
Literary Scene
|
Literary Society or Litsoc for short has been around since 1961 and is considered the mover and shaker of the NUS literary scene. Two key programmes that Litsoc organizes are the Creative Writing Competition and Evening of Poetry and Music. The latter which was held in March this year at *scape Youth Centre is an annual event which has seen growing attendance from the general schooling population as well as prominent figures of the local literary scene such as writers Jeffrey Lim Tan and Yong Shu Hoong. Koh Xin Tian, President of Litsoc is of the opinion that the NUS literary scene has been “steadily growing” over the years. Showing us a copy of their first edition of Argot, a magazine distributed in NUS and local bookstores, Xin Tian says, “Hopefully Argot will raise the profile of Litsoc and collect good writing from contributors from Singapore and abroad.” |
Other facets of the literary scene include NUS Writers Connect Sessions organized by Laremy Lee, Year 4 English Literature major where budding writers and poets can share their work and receive feedback at a casual sharing session.
Barometer: 6.5 our of 10 stars
Our final verdict: Not exactly pitch perfect. But the heat is on.
Hot Talk!